![]() Again, Richards came across as weird and insincere, at times rambling off on tangents. Through his newly acquired publicist Howard Rubenstein, Richards reached out to leaders in the African-American community, meeting privately with Al Sharpton and appearing on Jesse Jackson's radio show, Keep Hope Alive. Not surprisingly, there would be more public apologies to come. It's not funny." Richards also had a thousand-yard stare throughout the whole thing, rambling and he appearing more confused than apologetic. Letterman's audience had no idea how to take it - they started awkwardly laughing until Seinfeld scolded them, saying, "Stop laughing. It wouldn't go well, but we'll get to that later. Barring a few episodes of Curb Your Enthusiasm in which he played himself for a quasi- Seinfeld reunion, it would be 13 years before Richards would glide onto another sitcom set. Combine that with the fact the show was competing with Who Wants to Be a Millionaire?, That '70s Show, and JAG, and it was a recipe for disaster. According to Roger Cormier's analysis of the show's cancellation, this stunk of "blatant network malfeasance," meaning NBC wanted Richards falling down and throwing himself around like Kramer used to, regardless of whether it made sense for the script. While the scripts were decent, Richards' performance relied heavily on physical comedy, so the result was a show that felt like it could have been titled Kramer, P.I. ![]() Richards played Vic Nardozza, an inept private investigator who got into all kinds of confusing mishaps in the course of working his cases. The Michael Richards Show premiered two years after Seinfeld ended, and it was clear that NBC still wanted audiences associating whatever Michael Richards was doing next with his former wildly popular character. ![]()
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